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ashley-greene_l1Ashley Greene (aka Alice Cullen) talked with Entertainment Weekly recently and discussed the fans, New Moon and who she’d pick to direct Breaking Dawn.

What was your first reaction to New Moon? The tone, the color schemes, and the warmth of it is beautiful. I think [director] Chris Weitz did a really fantastic job. And then after seeing Taylor [Lautner], I was really impressed. I mean, he’s a 17-year-old kid and he committed and gained 30 pounds and transformed into a completely different person than he was in the first one. He carried this film, and I think that’s a hard thing to do, especially when you’re up against this character Edward. It’s a lot to live up to, and I think he did it justice and he did a fantastic job.

What was your favorite scene to film?  Going to Italy and being part of the Volturi scene was great. Dakota Fanning is fantastic. I was watching her movies before I was even acting. And I got to work with Michael Sheen and he’s an incredible, phenomenal actor and it was great to be able to learn from him and watch him do the scene and watch how it translates to the screen.

He gives that scene a lot of gravitas.  It was so easy for him. He controls the scene. I haven’t worked with an actor of that caliber yet who can do something like that. It was really cool to see.

If you could pick the director to helm Breaking Dawn, who would it be?  I just went to MoMA [NYC's Museum of Modern Art] and they were honoring Tim Burton, and I saw a whole compilation of his films and artwork and I just think he’s an extraordinary artist. I think it’d be really cool to have his spin on it, because it’s a very odd book, there’s some very weird moments. He would actually put a really weird and cool twist on it. And if we could do it the right way, it’d be great to have two films. You definitely want to get all the important parts in there and you know how hardcore and passionate the fans are about it, so one might be difficult and there would be something left out. So if we could do it right, it’d be great to have two films.

What do you think of Ashley’s pick of Tim Burton for Breaking Dawn’s director? 

Read the rest of Ashley’s interview at EW.com!

[Source: EW]

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robertpattinsonnewmoonRobert Pattinson spoke with MTV Radio about his thoughts on director Chris Weitz, the hardest New Moon scene to shoot and the most romantic thing he’s ever done.

MTV: Tell us about working with Chris Weitz. What were your thoughts when you first received his now-famous “orientation guide”?

Robert Pattinson: When he gave that out, it was such [a surprise]; I mean, I’d never had that from any director. It was 40, 50 pages long, this thing. And this is in addition to a bunch of letters and e-mails and everything [he had sent the cast], trying to show that he’s on the same page as us and he’s completely with us in making the film. And he didn’t falter from that attitude throughout the whole movie. It probably sounds ridiculous how much praise this guy gets. I was just with his wife and him in Japan, and she was even sick of it! But he is like a saint. He’s one of the best people I’ve ever met, let alone directors. I think in a lot of ways that shows in the movie — it’s got a lot of heart.

MTV: Since you’re only in parts of the film, did you feel disjointed from your castmates? Did you wish Edward was in “New Moon” more?

Pattinson: Those [hallucination] scenes were the hardest scenes. They weren’t really at the time, but when I saw the first cut of the movie, I was like, [we need to re-do this]; we’ve changed them quite a bit in the edit and ADR, mainly because it’s so difficult. It’s not Edward who you’re playing, it’s a manifestation of Bella’s loneliness and desperation. That was always very difficult — I was trying to ask Kristen, “How would you play it?” As for being alone, I think I’ve always felt a little bit aloof as the character throughout the whole series. I think that’s how he is.

MTV: But do you appreciate Edward more with each movie?

Pattinson: It’s funny, because when I read “New Moon,” it gave me ideas about how to play him in the first one. It’s the one I connected to the most, and the one that humanized Edward for me the most. In the first one, he remains from beginning to end an idealistic character; in the second one, he makes a mistake that’s acknowledged by everybody, including himself. He’s totally undermined by more powerful creatures, and he’s undermined emotionally by people as well. I think that’s what humanized it.

MTV: Are you a romantic person in real life?

Pattinson: I haven’t done that many romantic things in my life … I like the romantic scenes. I felt like a lot of the story line in “New Moon” is very heartbreaking and true. And I didn’t think I was doing something just for the sake of romance. In a lot of ways, it’s a very sad story. Hmmm … what’s the most romantic thing I’ve ever done?

MTV: Have you ever serenaded anybody?

Pattinson: Oh no [laughs]. I don’t think that would ever be romantic. You have to have so much balls to do that. I actually can’t think of the most romantic thing I’ve ever done. I put a flower in someone’s locker when I was 15 years old, this girl Maria. Maybe I was 14. Anyway, she thought it was somebody else. And the other guy claimed it [was him], which was great.

Were you guys jonesing for some Rob news?   :) 

I wonder if Maria realizes that ROB gave her that flower now.   Rob serenading…….*thud*

[Source:  MTV Photo: Socialitelife]

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nm poster! A phenominon, I think yes.  Are you even surprised? 

 I am, but only that it took this long lol, but we did it!  Our beloved Twilight Saga: New Moon has grossed $200 million dollars,and even more than that internationally.

 

In its eighth day of release, Summit Entertainment’s “The Twilight Saga: New Moon” crossed the double-century mark making an estimated $206.1 million.The domestic B.O. for “New Moon” easily eclipsed that of the first “Twilight” which amassed $192.8 million in 20 weeks.

In the first three days of the holiday frame beginning Wednesday, “New Moon” has grossed $41.4 million

 

 We all so forkin’ rock!  I know I surely contributed to that $200 million dollars, since I saw the movie 4 times so far, and no I’m not ashamed about it.

So do you all think that New Moon will continue to break all kinds of records?  Also, how many times have you gone to take in The Twilight Saga: New Moon?

(Source, Variety.com. Thanks Diana!)

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new-moon-pattinson_lEntertainment Weekly interviewed New Moon costume designer Tish Monaghan.  Tish talked about Edward’s suit to Jacob’s jorts. 

ENTERTAINMENT WEEKLY: Anyone who’s listened to the Twilight DVD commentary knows that Robert Pattinson wasn’t a fan of Edward’s pea coat.
TISH MONAGHAN: He wasn’t a fan of the pea coat. He wore it in virtually every scene, and I think maybe he just got tired of it. I’m guessing. [Laughs] He just wanted a more mature look. That was part of Edward’s Grade 11 year, and now he’s getting into his graduation year, he’s in a relationship. He had worn hoodies and jeans and sneakers, and Robert, the director [Chris Weitz], and I all wanted to portray him more as a gentleman, more elegant and classic. With our vampire characters, I always went back to the time period in which they were turned to see if there’s any element I could try to simulate in contemporary clothing. He came out of the Edwardian period, around 1910. Of course, most of the gentleman from that time would be wearing suits, coats, hats, etc. We had to pick something that was iconic for the character that would suffice to be used throughout the whole film. At the very beginning of the film, he has one school outfit, and then there’s Bella’s birthday party and disaster strikes. So Edward ends up in that same costume for the remainder of the film. I was thinking of just putting him in a dress shirt and a pair of pants, but Robert wanted to be in a suit.

So I found a modern contemporary look that would be appealing to him and to the massive fan base, a very slim cut, and a fabric that to me was a bit Old World — this beautiful tweed fabric that we got out of England. It had the gray base, which is kind of essential for the Cullen characters in their cool tones, but also had little interesting flecks of blue, which is also Cullen, and a tiny little bit of rust, which I liked because Bella wears earth tones and that kinda linked her into the picture. The general texture of the suit would hold up well no matter what setting he was in: Inside the house for the party, or in the forest, or in the Volturi chamber. We had to show wear on the suit, and it’s much easier to rough up something that has texture to it than just a flat piece of wool. His pants are worn at the knees, they’re rumpled.

I don’t know if anyone’s looking at his pants when he removes his shirt in Italy.
The fans were very excited to see that, I don’t know if Robert was particularly excited to perform that in front of 1,500 people. I think it was quite hard for him to do. We originally tested Edward in a plain white shirt, as a forlorn-looking option. That is also what Robert wanted — he wanted something that would wash him out. But you need to have a color that makes you pop, and so we actually dyed the fabric this beautiful ink blue ourselves. It highlighted his vampire white skin really well. I think it’s a great moment when we see him in these clothes that he’s worn from September to May. When he goes to sacrifice himself, he’s in disrepair. Robert and Chris wanted his shirt to have a rip across the chest, so that’s what we gave him. It’s really kind of tragic to watch him take off his shirt, because he really is sacrificing himself. It looks like he’s just giving up. He’s exposing himself and he’s completely vulnerable, and he just takes his shirt off and he drops it at his feet with his eyes downcast. Then he gets attacked by Bella, who shoves him inside the doors. [Laughs] I don’t find it like a beefcake moment. It really is a moving moment, and I think Robert did a really amazing job for that scene.

The tear across the chest was to symbolize that his heart was torn out when he thought he lost Bella?
Maybe. [Laughs] They just said, “Rip it across the chest.” I said, “Are you sure? No shirt’s gonna rip like this.” And they said, “Yes.” So I did it.

Why couldn’t he remain shirtless for the indoor fight scene? Why put on the robe?
Originally, the guards who grab him were supposed to be coming from the outside — that’s why they give him the robe. But the setting was changed, and they grab him on the inside. So why do they hand him this robe? Because, quite honestly, it looks very cool fighting with this long, flowing garment, and it does hide pads, protect him.

More after the break!

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